Saturday, May 27 - Time: TBA
Melissa Etheridge stormed onto the American rock scene in 1988 with the release of her critically acclaimed self-titled debut album, which led to an appearance on the 1989 Grammy Awards show. For several years, her popularity grew around such memorable originals as “Bring Me Some Water,” “No Souvenirs” and “Ain’t It Heavy,” for which she won a Grammy® in 1992. Etheridge hit her commercial and artistic stride with her fourth album, Yes I Am (1993). The collection featured the massive hits, “I’m the Only One” and “Come to My Window,” a searing song of longing that brought Etheridge her second Grammy® Award for Best Female Rock Performance. In 1995, Etheridge issued her highest charting album, Your Little Secret, which was distinguished by the hit single, “I Want to Come Over.” Her astounding success that year led to Etheridge receiving the Songwriter of the Year honor at the ASCAP Pop Awards in 1996. Known for her confessional lyrics and raspy, smoky vocals, Etheridge has remained one of America’s favorite female singer-songwriters for more than two decades. In February 2007, Melissa Etheridge celebrated a career milestone with a victory in the “Best Song” category at the Academy® Awards for “I Need to Wake Up,” written for the Al Gore documentary on global warming, An Inconvenient Truth. As a performer and songwriter, Etheridge has shown herself to be an artist who has never allowed “inconvenient truths” to keep her down. Earlier in her recording career, Etheridge acknowledged her sexual orientation when it was considered less than prudent to do so. In October 2004, Etheridge was diagnosed with breast cancer, a health battle that, with her typical tenacity, she won. Despite losing her hair from chemotherapy, Etheridge appeared on the 2005 Grammy® telecast to sing “Piece of My Heart” in tribute to Janis Joplin. By doing so she gave hope to many women afflicted with the disease.
On October 7, 2016, Etheridge is scheduled to release MEmphis Rock and Soul, a new album honoring the rich musical history of the legendary Stax Records and her first recording since 2014’s critically lauded This Is M.E. In an effort to be as respectful and true to the tradition as possible, Etheridge made the pilgrimage to Memphis to record at Willie Mitchell’s historic Royal Studios, working with Mitchell’s son, Lawrence “Boo” Mitchell and the Hi Rhythm section, comprised of the Rev. Charles Hodges on organ, Leroy Hodges on bass and Archie “Hubbie” Turner on keyboards, as well as guitarist Michael Toles, drummer James “JRob” Robertson and special guest John Mayer. Etheridge also added some new lyrics of her own and incorporated an assortment of iconic Stax samples into the production of the album.